“Men, we don't need you to be a knight in shining armor. We just need you to be a little bit brave, just a little bit. And some of them are, and that's what he does.”
“You know, we're not on stage, we're not doing a play, so we don't have a relationship with the audience but going through that process and also just hearing how much people love the film, you feel like you do have a relationship with the audience.”
“I saw her when she was like 10-years-old in "The Barbara Mandrell Story," which is pretty bizarre since it was on in Canada the first week we were there... so strange. I knew her face. I kind of remembered her, but I didn't know anything about her family.”
“I mean, sometimes people get into big debates. Like when we were in Washington, big debating audiences. Debates about women and men, men and women, what's it all about. I'll tell ya. Sometimes they get into a bit of man-bashing and I always try to go, "Hey, you know what you guys? That's not really what it's about."”
“I spend a lot of time at my son's school and I really wanted to do a movie that the kids could see. The good thing about being my age and not having to be the ingenue anymore is that I get to be a mom. I get to have kids in my movies.”
“He's really sharp and I find him to be an extremely observant person. He watches people and he listens to people, and he likes actors. He likes working with actors. He likes his crew, and so he creates an atmosphere on his set that is really conducive to our creativity - and the crew's, as well.”
“To me it meant, just looking at it from a Maya point of view, it meant that Paul Miles is always moving laterally in his life. And she just wants him to take a couple of steps forward, you know?”
